Day 10: July 9th, 2016, Saturday
The Orsay
Our morning at the Orsay started just as the museum opened. With audio guides downloaded and ready to go, Janine and I began our tour of the art gallery. The museum itself houses works by French artists from around the mid nineteenth century to the early twentieth. The museum was once a railway station that was decommissioned for a while due to its shorter platforms until the 1970s when it was reopened as an art museum.
The audio guide did a great job playing out the narrative of Paris’ artistic transformation. The tour started off with the conservative art movement going on in Paris during the Industrial Revolution. The human form in these works are portrayed in such a way that idealized that body. The human form is perfect and their situations are dramaticized. The following exhibits and pieces provide the counter argument to these works. The Daumier busts provided the early shot at conservatism in Paris during this time period.
These busts by Honore Daumier critiqued the stuffy nature of conservatism by characterizing the politicians and officials for whom the artists made the likenesses of. Made to look stuffy and pretentious, Daumier was making a statement about how art at this time was taking itself too seriously.
Other works began to depict day to day life. Jean-Francous Millet’s Gleaners is a perfect example of this. Millet depicts a traditionally lower class group of women going through a field after a harvest to glean whatever grains are left for food. They are portrayed in sympathetic tone that would be counter to much of conservatisms art style of shying away from the commoner.
Artists during the Industrial Revolution wanted to provide a realistic view of the world around them. One that wasn’t clean and polished, but dirty and real. My favorite thought from the guide was that during the “Belle Epoch” (Beautiful Era, c1870-1914) that there was this idealism in western Europe that didn’t necessarily reflect the reality. This sentiment can be viewed in the impressionists work.
Compared to others, I do not get as much excited from viewing the works of Manet and Monet, but I do find their style intriguing. Manet’s Luncheon on the Grass provided a glimpse into this Parisian world of art and free love.
Janine and I took turns through the museum to keep Olivia company while the other toured the exhibits. At somepoint early on in the impressionists section I lost Janine and I found myself walking back and forth along the stretch of that part of the gallery looking for her. I even went down a floor believing she moved on. After 15 minutes or so of searching i found her, or more like she found me. Apparently she was in the exhibit the entire time and she tried to call my name as I passed her twice but I had my headphones in.
As we neared the end of our walk through the museum, crowds began to grow larger and larger. Coincidentally, so did my frustration. My frustration in young people taking elevators meant for strollers and the disabled. My frustration in people more interested in selfies with famous paintings rather than taking in the detail and beauty of their work. Lets also not forget the large tourist groups who crowd in front of you and nudge you out of the way after waiting for that open spot to free up. These were common frustrations for nearly every museum we visited. I think it peaked at the Van Gogh section. I’m not saying he is my favorite artist, otherwise i would have made a concerted effort to make it there earlier but the density of bodies in that small space of paintings felt similar to the Mona Lisa. We didn’t both trying to take Olivia in there because she was freaking out the amount of tourist butts she was seeing at her eye level. We tried to take turns, but Janine and I sort of gave up because any time we had a moment to enjoy a painting, someone would walk up right in front of us and take a selfie.
We finished off our tour with the sculpted works of Rodin. I found a new appreciation in his ability to tell a story through the sculpture of bronze. We left the museum after some confusion about the location of the baby changing stations (downstairs, non-stroller accessible). In addition to this, Janine had to leave the museum to go to coat check and get a diaper from the diaper bag since that was not allowed in the museum. Again, Paris not being very child friendly.
We left the museum in search of a lunch place that would be quick and nearby the Army Museum. We found a cafe a few blocks away from the the tourists places and grabbed a couple of lunches. Janine grabbed a baguette, ham and brie sandwich. I went with what looked like a breakfast sandwich with ham, egg, and cheese in between a square fluffy egg bread. Janine bought one as well for Olivia. We continued our walk to the Army Museum and found a bench off to the side of the museum and had lunch there. I wish I could say this was great, but i was feeling sick after finishing the first one and Olivia was not touching hers. I ate one half of it and tapped out before any vomit came. I finished it with a tiramisu like pudding cup. While we ate, Olivia had fun running around the white dirt path that ran parallel to the street. We got angry several times at her for not listening to us about running into the street. After taking some time to digest that breakfast brick, we began our walk to the museum entrance.
The Army Museum
The Army Museum was originally built by Louix XIV as an army hospital for wounded veterans. In fact, part of the hospital is still in operation now. Today it serves as the final resting place for many of France’s war heroes and a museum that show cases the various wars the country has fought in. We began our visit with Napoleon’s tomb. Patrons enter the building and can look down into the final resting place of Napoleon Bonaparte. The upper level is flanked with Napoleon’s relatives who were are also interned there. Famous Great War French General, Philippe Petain’s grave is also in this room. Napoleon’s tomb is ornate and rich in imagery that tells the life and accomplishments of the leader.
Getting down to the tomb required descending down some steps and we didn’t think it was necessary to do that with Olivia in her stroller. She was also on the verge of falling asleep and we wanted to do our best to make that happen quicker. Janine took the first turn to go down and explore around Napoleon’s tomb and then I followed after she finished. There is there eerie feeling of being near the remains of someone who had such a significant impact on France, Europe, and the world.
We left the tomb and began walking the courtyard hall towards the end in search of an elevator to take us to the entrance of the WWI exhibit. I saw that there was a special exhibit on Napoleon’s life on St. Helena's going on. I decided not to push for it since it looked mostly in French and my pay off would be looking at some of Napoleon’s possessions whilst on the island (such as a chest of drawers!). We walked the length of the building twice to no avail and decided to suck it up and carry olivia up the four flights of stairs to the top of the building.
We got to the entrance of the WWI exhibit and made an agreement that we would spend less time here compared to the WWII exhibit that follows it. We figured that the IWM in London pretty much set the gold standard. Rick Steves echoed this sentiment in his guide. The Great War exhibit was better than I expected. There were many uniforms showcased that showed the progression of military dress as the war progressed. It was good to see the original blue and red French uniforms from the start of the war. Thier bright red uniforms and cloth caps are often pointed out as evidence of how woefully unprepared the nations were in a war of shrapnel and trenches. The rest of the exhibits had some interesting artifacts and a cool diorama of a trench that wished I could take home with me back to my classroom. I was especially impressed with the way they explained the Schlieffen Plan with the help of a blank topographical map and projecting the elements onto it. I stayed a second time through the French and English version just so I could record it for my own personal research. The museum also showcased a taxi cab that was used to help transport soldiers to the Battle of the Marne from Paris. Another item of note are the masks of post war veterans scarred from battle. My Verdun guide told me that there was an exhibit about those maimed in war and what they did to cope or cover up their scars.
We began to pick up the pace a bit during the interwar period, but I realized I had to rewind and return to room when I was greeted with a giant picture of Hitler. I was interested in how the French talked about his rise to power, but I didn’t find too much information on that. I was genuinely interested in this exhibit since I read in Rick Steves guide that this WWII exhibit tends to be a bit biased in its version of the war. Let me tell you, I did not leave disappointed! I became so wrapped in in taking pictures on the less than stellar English translations that I forgot to take photos of the artifacts themselves.
Janine and I had a lot of fun laughing at the explanations for France’s defeat and how they tended to gloss over major contributions by their allies. Their treatment for the fall of France made heavy emphasis of how well they defended the country and took out so many German ships without giving explanation as to why they fell. Mind you, I had to scour a couple of rooms to find any sort of mentioning of the Maginot line, the failed defensive line that was meant to keep the Germans at bay but was largely ignored during the Blitzkrieg. The exhibit discussed how the Maginot line was built in preparation for war and another mentioning elsewhere how Maginot line “never faltered” in its defense. Laughable since it did and there were not many crews left to defend it by that point. There was no mention about the weaknesses in their military or political leadership, nor even a scant message about how the line didn't really serve its purpose. The greatest part about this whole exploration of revisionist history was how Charles de Gaulle is seemingly championed as the hero of the war. They portray him as if he alone won the war or at least had a significant role to play. America’s role is given mention in many parts, but Paris becomes Charles time and the Yanks were there to help begrudgingly. I also questioned how they handled their portrayal of their colonial soldiers serving France beyond the superficial “for the motherland.”
Now I have to say that I get it, this is the FRENCH army museum. They want to posture themselves in a good light, but I have to give respect to London’s Imperial War Museum’s handling of history. There were several occasions in the British exhibit where they were straight forward and made mention poor decisions and actions made by the British. One such example was how they discussed that a lot of colonial soldiers died in these wars in hope to gain independence, but were not given it at the end of the war. I have a lot of respect for recognizing that failure and not trying to shy away from it. American museums could also learn from London, but the latest African American museum that opened in DC is a step in the right direction for correctly reporting on history without shying away from failure and darkness.
Despite this historiography lesson on bias that proved to be a good piece of entertainment, there were some cool artifacts from the war. One cool piece was a tiny motorcycle set in a large piece of luggage that was used by the French resistance. Another item of note was a German remote controlled tank destroyer. This little thing would be guided by an operator nearby to drive underneath an enemy tank and then self destruct underneath it.
Dinner
Olivia eventually woke up and we made our way out of the museum to figure out dinner. I was hoping to find some cool French propaganda war posters to add to my new collection, but I didn’t see anything that peeked my interest at the price I wanted. We left the exhibit and sat in a nice shaded part of the court yard by a fountain that was away from much of the foot traffic. After changing Olivia, we let her run around and chase the pigeons and play next to a fountain of a man hold his decapitated head while water shot from the top (odd choice for an army hospital). Janine and I used that as an opportunity to rest our feet and decided dinner. We were in no particular mood for any food, so we found a place Rick Steves suggested nearby.
We arrived at the cafe, after a pit stop at a drugstore for wipes. The drinks were tasty. I got a really good mojito that paired well with the warm day and open air cafe we were sitting in. The food, unfortunately, was much to be desired. Janine got the steak and fries, which were conspicuously missing from the French menu. I got a basic pasta dish to share with Olivia, which she would refuse to eat. Olivia went around greeting guests at nearby tables while we waited for our food.
After dinner, we walked over to a nearby bakery for some macaroons, something that was on Janine’s Paris bucket list next to crepes. They had an interesting setup where they head a quick service counter outside that had their popular items and the inside of the shop had a greater selection of their nicer foods. I spent my time standing in both lines hoping to be in the quicker of the two. I was about to go with the outside line until the gal in front of me revealed what an “ugly American” looked like. She was loud, demanding, and every word she said made her sound touristy. It was obvious the poor woman at the counter was having her patience tried. The woman behind saw the display going on as well and jumped into the other line indoors. Granted, I am a tourist. I dress like a tourist. I eat like a tourist. But at least I try to be conscious of what I say and how I say it. I just had no patience for that and I moved away making sure to disassociate from that woman. I finally got the macarons and an eclair for myself. The clair was alright, the filling was to liquidy for my preference and that's when I realized that I could probably get better back home. The macaroons were also ok, but I have never been one to understand their marked up price beyond the fact that they are difficult to make.
Our journey home was complicated by the fact that the Euro cup was going on at this time. We stood at a bus stop a block or so away from the Eiffel tower waiting for our ride for about 15 minutes until a woman with a stroller rolled up next to us and after looking at the sign, she told us in the most polite broken English that this stop was closed. I noticed the heavier police presence around and figured that made sense. We followed her to the next stop and she even checked on us to make sure we made it. From there, we wait another while until our original bus finally came by. Olivia was starting to get tired of waiting, so we had to give her the pacy quickly. We arrived home about 30 minutes later. Very thankful that Parisian woman helped us out.